{"id":15852,"date":"2018-07-21T08:00:40","date_gmt":"2018-07-21T11:00:40","guid":{"rendered":"https:\/\/uniandrade.br\/?p=15852"},"modified":"2021-07-29T15:35:47","modified_gmt":"2021-07-29T18:35:47","slug":"ernest-hemingway-entre-o-cinema-e-a-literatura","status":"publish","type":"post","link":"https:\/\/uniandrade.br\/blog\/ernest-hemingway-entre-o-cinema-e-a-literatura\/","title":{"rendered":"Ernest Hemingway \u2013 entre o Cinema e a Literatura"},"content":{"rendered":"<p>Em 1945, Marcel Duhamel, ent\u00e3o editor da Gallimard (renomado grupo editorial franc\u00eas, fundado em 1919), iniciou a publica\u00e7\u00e3o de uma s\u00e9rie de romances que ele chamou <em>noir<\/em>, por conta do visual das capas dos livros.<\/p>\n<p style=\"text-align: justify;\">Os romances <em>noir <\/em>eram um subg\u00eanero dos romances policiais que mesclavam suspense e mist\u00e9rio, comumente seus autores eram conhecidos por publicar textos em revistas populares, conhecidas como <em>dime magazines<\/em> ou <em>pulp magazines<\/em> (<em>dime<\/em> eram as moedas de dez <em>cents<\/em> e <em>pulp<\/em> se referia ao tipo de papel de impress\u00e3o).<\/p>\n<p style=\"text-align: justify;\">Embora possua suas ra\u00edzes estil\u00edsticas no romance G\u00f3tico do final do s\u00e9culo XIX, os romances <em>noir<\/em> se popularizaram, principalmente, no p\u00f3s-guerra e se notabilizaram: pelo estilo de narrativa e por ter uma ambienta\u00e7\u00e3o urbana com personagens que n\u00e3o correspondiam aos \u201cher\u00f3is\u201d tradicionais \u2013 pessoas que fugiam ao estere\u00f3tipo tanto por serem comuns quanto por possu\u00edrem caracteres duvidosos.<\/p>\n<p style=\"text-align: justify;\">De estrutura simples e leitura f\u00e1cil, os romances <em>noir<\/em> se consagraram, tanto que em 1946, o cr\u00edtico cinematogr\u00e1fico Nino Frank se utilizou da express\u00e3o para classificar um novo estilo de filmes que possu\u00edam elementos influenciados pela tem\u00e1tica dessas publica\u00e7\u00f5es. Termo at\u00e9 ent\u00e3o desconhecido pelos cineastas, a categoria passou a ser empregada para boa parte da produ\u00e7\u00e3o cinematogr\u00e1fica do p\u00f3s-guerra.<\/p>\n<p style=\"text-align: justify;\">O <em>film noir<\/em> possui praticamente as mesmas caracter\u00edsticas do romance\u00a0<em>noir<\/em>, desde o tipo de estilo de narrativa at\u00e9 a constru\u00e7\u00e3o de personagens, utilizando t\u00e9cnicas de baixo or\u00e7amento e que foram muito influenciadas pelo <strong>Expressionismo Alem\u00e3o<\/strong> (Fritz Lang, Robert Wiene, Friedrich Murnau, por exemplo \u2013 o cinema Expressionista A<\/p>\n<p style=\"text-align: justify;\">lem\u00e3o mereceria um cap\u00edtulo \u00e0 parte).<\/p>\n<p style=\"text-align: justify;\">Assim como seu parceiro liter\u00e1rio, o <em>Film noir<\/em> se consagrou se se tornou um tipo de g\u00eanero que ganhou o mundo e caiu no gosto do p\u00fablico. Embora alguns cr\u00edticos defendam que somente o per\u00edodo \u201ccl\u00e1ssico\u201d do g\u00eanero seja relevante \u2013 o per\u00edodo entre as d\u00e9cadas de 1940 e 1950.<\/p>\n<p style=\"text-align: justify;\">N\u00e3o era incomum, inclusive, que muitos diretores fossem buscar seus argumentos para roteiros na produ\u00e7\u00e3o liter\u00e1ria (ou subliter\u00e1ria) da \u00e9poca.<\/p>\n<p style=\"text-align: justify;\">Claro, que h\u00e1 tamb\u00e9m algumas exce\u00e7\u00f5es, uma das mais interessantes \u00e9 a adapta\u00e7\u00e3o de <em>Os assassinos<\/em>, conto de Ernest Hemingway, publicado em 1927.<\/p>\n<p style=\"text-align: justify;\">Ernest Hemingway, ganhador do pr\u00eamio Pulitzer, em 1953 e o Nobel de Literatura em 1954, foi um dos escritores mais prol\u00edficos da hist\u00f3ria do s\u00e9culo XX. Dotado de um estilo fluido e contundente, sua obra foi adaptada in\u00fameras vezes para o cinema, com grande destaque para <em>Por quem os sinos dobram<\/em>, de 1953.<\/p>\n<p style=\"text-align: justify;\"><em>Os assassinos<\/em> \u00e9 um excelente exemplo de adapta\u00e7\u00e3o de textos liter\u00e1rios para a linguagem cinematogr\u00e1fica, tanto que o foi por tr\u00eas vezes, a primeira em 1946, por Robert Siodmak; a segunda, em 1956, como um trabalho universit\u00e1rio do po\u00e9tico e original de Andrei Tark\u00f3vski, e a terceira em 1964 por Don Siegel.<\/p>\n<p style=\"text-align: justify;\">Aproveitando que hoje \u00e9 anivers\u00e1rio de Ernest Hemingway, eis uma excelente oportunidade de conhecer um pouco mais sua obra, tendo como porta de entrada o conto <em>Os assassinos<\/em> (de leitura f\u00e1cil e f\u00e1cil de encontrar), e algumas das grandes produ\u00e7\u00f5es cinematogr\u00e1ficas j\u00e1 produzidas no s\u00e9culo XX.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-15869\" src=\"https:\/\/uniandrade.br\/wp-content\/uploads\/2018\/07\/ERNEST-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Em 1945, Marcel Duhamel, ent\u00e3o editor da Gallimard (renomado grupo editorial franc\u00eas, fundado em 1919), iniciou a publica\u00e7\u00e3o de uma s\u00e9rie de romances que ele chamou noir, por conta do visual das capas dos livros. Os romances noir eram um subg\u00eanero dos romances policiais que mesclavam suspense e mist\u00e9rio, comumente seus autores eram conhecidos por [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jf_schedule_form":"","footnotes":""},"categories":[154],"tags":[290,291,292],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.11 (Yoast SEO v22.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ernest Hemingway \u2013 entre o Cinema e a Literatura | Uniandrade<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uniandrade.br\/blog\/ernest-hemingway-entre-o-cinema-e-a-literatura\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ernest Hemingway \u2013 entre o Cinema e a Literatura\" \/>\n<meta property=\"og:description\" content=\"Em 1945, Marcel Duhamel, ent\u00e3o editor da Gallimard (renomado grupo editorial franc\u00eas, fundado em 1919), iniciou a publica\u00e7\u00e3o de uma s\u00e9rie de romances que ele chamou noir, por conta do visual das capas dos livros. Os romances noir eram um subg\u00eanero dos romances policiais que mesclavam suspense e mist\u00e9rio, comumente seus autores eram conhecidos por [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/uniandrade.br\/blog\/ernest-hemingway-entre-o-cinema-e-a-literatura\/\" \/>\n<meta property=\"og:site_name\" content=\"Uniandrade\" \/>\n<meta property=\"article:published_time\" content=\"2018-07-21T11:00:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-29T18:35:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/uniandrade.br\/wp-content\/uploads\/2018\/07\/ERNEST.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Uniandrade\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta 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