SHIFTING BOUNDARIES AND ALTERITY IN POSTCOLONIAL FICTION: THE MADONNA OF EXCELSIOR BY ZAKES MDA
DOI:
https://doi.org/10.18305/scripta%20uniandra.v11i2.548Resumo
The initial objective of this paper is to investigate the state of the art of postcolonial literature today, discussing some of its definitions and subsequent broadenings of meaning, so as to understand the contemporary postcolonial condition as the experience of living permanently in a shifting boundary. The subsequent analysis of The Madonna of Excelsior (2002), authored by South-African Zakes Mda, seeks to reveal how otherness is constructed and interrogated in this novel, written in the context of reconciliation in post-apartheid South Africa, where one must slip between past and present.
Palavras-chave: Literatura pós-colonial. África do Sul. Zakes Mda. Fronteira deslizante.
Referências
ASHCROFT, Bill; GRIFFITHS, Gareth; TIFFIN, Helen. The empire writes back. Post-colonial literatures, theory & practice. New York, Sidney: Routledge, 1989.
BHABHA, Homi. The location of culture. London, New York: Routledge, 1994.
BRAH, Avtar. Cartographies of diaspora. London, New York: Routledge, 1996.
GILROY, Paul. O Atlântico negro. Trad.Cid Knipel Moreira. Rio de Janeiro: Editora 34, 2001.
______ Route work: the black Atlantic and the politics of exile. In: CHAMBERS, Iain; CURTI, Lídia (eds.). The postcolonial question. London, New York: Routledge, 1998, pp. 17-29.MDA, Zakes. The Madonna of Excelsior. Cape Town: Oxford University Press Southern Africa, 2007.
RADHAKRISHNAN, R. Postcoloniality and the boundaries of identity. In: Diasporic mediations. Between home and location. Minneapolis, London: University of Minnesota Press, 1996.
SAID, Edward. Orientalism. London; Henley: Routledge & Kegan Paul, 1978.
DOI: http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.v11n2p24-41
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